The Stack

Welcome to The Stack, where UK electronic music heritage meets modern production.

We dig into the sounds, techniques, and stories that shaped house, garage, and techno from warehouse raves to worldwide dancefloors.
Expect deep dives on classic hardware, honest production advice, and cultural context that connects the dots between Chicago's underground and today's global scene.

No fluff, no clickbait, just knowledge from thirty years in the trenches, shared with producers worldwide who value authenticity over algorithms.

Casio CZ-101 wavetable synthesis and the UK rave organ sound in Serum 2

The Fingerprint of a Sound: What Wavetables Actually Do, and Why It Matters for Rave Production

A wavetable is not a sample. It is the oscilloscope fingerprint of a sound — the blueprint of how a piece of hardware vibrates — captured as a single waveform cycle and transplanted into a modern s...

Rave hits and stabs in classic house and UK garage

Rave Hits and Stabs (And Why You Need Them)

You're four bars into a breakdown and something's not quite right. The pads are doing their thing, bass is rolling along nicely, but there's no... punctuation, you know what I mean? Nothing that ma...

Multi-sampling vintage hardware into Serum 2 to keep its authentic character

Why Multi-Sampling Matters: The Secret to Hardware Character in a Digital World

You've noticed it. That slight disappointment when you load up a software emulation of a classic hardware synth. It sounds... fine. Technically accurate. But somehow flat. Lifeless. Too perfect. Th...

The Korg M1 Piano 16, the sound that built house music

The M1 Piano 16: The Sound That Built House Music

When people hear the Korg M1 Piano 16, something happens. Bodies move. Hands go up. Even if they've never set foot in a production studio, that bright, percussive piano stab triggers something prim...

Loudness and LUFS in electronic music, for club systems and streaming

Why Loudness Still Matters in EDM (How to Get It Right)

Right, let's get straight to it – louder is still better. I know that sounds simplistic, but after three decades working with electronic music, from the early house days right through to today's st...